Archive for August, 2012

Paris: Needlpoint and Quilting Shops

For Devotees of Needlepoint and Quilting – Two Terrific Shops

By Diane Stamm   Via Bonjour Paris

When the average person walks into a shop, they see the merchandise displayed and the people behind the counter. Little do they know of the lifetime of experience, talent, devotion, and sheer hard work that have gone into making the shop a success. There are two shops around the corner from each other just off the Quai de Montebello on the Left Bank in the Paris 5th whose founders fit that mold. The first is Tapisseries de la Bûcherie, located at 2, rue du Haut Pavé, which is devoted to needlepoint; and the second is Le Rouvray, located at 6, rue des Grands Degrès, which is devoted to patchwork and quilting. Both shops were founded by women who are recognized as among the best in their respective métiers.

Tapisseries de la Bûcherie is owned and run by Madame Dominique Siegler-Lathrop. The shop derives its name from its first location on rue de la Bûcherie, where it was opened in 1990. It moved to its current location in 1995. Madame Siegler-Lathrop designs many of the needlepoint patterns for sale in her shop, and hires artists to paint her designs on canvas. She currently has over 2,000 designs in her catalogue. Madame Siegler-Lathrop, who was born in France, lived in the United States for 42 years and speaks English like a native. She thinks that needlepoint in the United States is different from the needlepoint she creates; in the United States, needlepoint is more a craft, whereas she considers her canvases more painterly and artistic. In fact, she considers needlepoint “painting with wool,” and the execution of the design is of the highest artistry and quality, as is the all-important wool she sells in her shop – 450 colors in all. It is made in Aubusson, the French town famously known for tapestry manufacture in the 17th and 18th centuries. Madame Siegler-Lathrop has authored two books on needlepoint. Her first, Les Secrets de la tapisserie à l’aiguille (The Secrets of Needlepoint: Techniques and Stitches), is unfortunately out of print in English, but her second, Tons et Textures (Tones and Textures), coauthored with Jeanne Mougenot, is due out in January. The text will be in both French and English. The website provides information on the decorative styles of the patterns the shop carries, which include French Medieval, Louis XIII through Louis XVI, Empire, and modern. Motifs include people, animals, flowers, fruits, and vegetables. The kits the shop sells contain everything needed to complete a needlepoint project – canvas, wool, needles, and explanations of stitches. All are also available on the website. Madame Siegler-Lathrop gives lessons, which can be arranged by contacting the shop, and the website contains several instruction videos that will help beginners get started and more advanced needlepointers complete their projects. Classes include the necessary materials – frame, painted canvas, wool, needles – and instruction. The class that teaches the French technique of needlepoint is 200 euros, and will give the student a solid foundation for making cushions, pillows, chair covers, and footstools. The class that teaches the Gobelin and Hungarian stitches is 150 euros, and will enable the student to needlepoint smaller items such as box covers, book covers, panels, and purses.

Le Rouvray is owned and run by Madame Diane de Obaldia, who is American but who has lived in France most of her adult life. The name of the shop is derived from the name of a farm she lived near in Normandy – Le Rouvray – which itself is derived from the medieval French word, rouvré, which means oak. Madame de Obaldia grew up in Michigan and learned sewing from her mother, and from her grandmother in Tennessee she learned patchwork, which entails sewing “patches” or pieces of fabric together to make a larger project, and quilting, which is sewing the quilt layers together. She also modeled at Chanel, Pierre Cardin, and Dior. She had never dreamed of opening a patchwork and quilting shop, but life sometimes has a way of showing us what it wants us to do, and through a series of circumstances and luck, which you can read about on the shop’s website, Madame de Obaldia ended up not only opening such a shop – forty years ago – but also becoming one of the catalysts of widespread interest in patchwork and quilting in France. Le Rouvray carries several hundred high-quality French, American, English, and Japanese fabrics, including a number designed by Madame de Obaldia. They are all 100 percent cotton and come in various weights that can be used for curtains, clothing, furniture, handbags and, of course, quilting. The price is 18 euros (about $23) per meter (39 inches), and widths vary from 45 to 60 inches. Besides fabric, the shop sells kits for quilts, at 150 euros (about $188 dollars), and handbags, at 26 euros (about $33), and other decorative objects. All are available via email or telephone. Madame Obaldia works with several designers, and articles about them all appeared this spring in three quilting magazines – “Quilt Mania: Le Magazine du Patchwork,” “Les Nouvelle: Patchwork et Création Textile,” and “Magic Patch.” Because of the location of these shops – on the Left Bank just across the Seine from the southern flank of Notre Dame – both Tapisseries de la Bûcherie and Le Rouvray receive visitors from all over the world, testament to the worldwide interest in needlepoint and quilting. Because of the reputation of these shops among aficionados, many people make the shops a destination on their visit to Paris. Whether you are a beginner or expert needlepointer or quilter, or just looking for a unique gift for someone who is, these shops should be on your Paris itinerary. Tapisseries de la Bûcherie 2, rue du Haut Pavé, 5th In France: 01 40 46 87 69 06 03 47 80 87 International: + (33) (0) 1 40 46 87 69 + (33) (0) 6 03 47 80 87 Metero: Maubert Mutualité (Line 10), Saint Michel Notre-Dame (Line 4), Cité (Line 4) Bus: 24, 47, 63, 86 Open: Mon–Sat 2pm–7 pm Call or email for special appointments Website (in both French and English) Le Rouvray 6, rue des Grands Degrès, 5th In France: 01 43 25 00 45 International: + (33) (0) 1 43 25 00 45 Metero: Maubert Mutualité (Line 10), Saint Michel Notre-Dame (Line 4), Cité (Line 4) Bus: 24, 47, 63, 86 Open: Tues–Fri 1pm–7 pm; Sat 2pm–6 pm

 

14 August 2012 at 3:23 pm Leave a comment

Versailles Contemporary Art Exhibit

joana vaconcelos versailles   june 18th to september 30th, 2012

 

Paris-born lisbon-based artist joana vasconcelos is currently taking over the palace of Versailles in France with her large sculptural works as part of the château’s annual contemporary art exhibition. Installed within the state apartments and gardens of the expansive property, vasconcelos’ work creates a dialogue dealing with contemporary idiosyncrasies where the dichotomies of hand-crafted / industrial, private / public, tradition / modernity and popular  / erudite culture.

 

my work has developed around the idea that the world is an opera, and Versailles embodies the operatic and aesthetic ideal that inspires me. The works that I propose exist for this place. I see them as linked to Versailles in a timeless way. When I stroll through the rooms of the palace and its gardens, I feel the energy of a setting that gravitates between reality and dreams, the everyday and magic, the festive and the tragic. I can still hear the echo of the footsteps of marie-antoinette, and the music and festive ambiance of the stately rooms. How would the life of Versailles look if this exuberant and grandiose universe was transferred to our period?

Joana has interpreted the dense mythology of Versailles, transporting it into the contemporary world, and evoking the presence of the important female figures that have lived here, while drawing on her own  identity and experience as a Portuguese woman born in France.

 The south end of the palace’s ‘hall of mirrors’ where ceremonies and important events in the history of France were staged, hosts ‘marilyn’, a pair of high-heeled sandals constructed from the repeated arrangement of stainless steel pans and lids. the mammoth-scale high heels, standing within this vast hall, creates a Gulliver effect, and are an ode to women’s achievements both on public and private spheres.

 

‘blue champagne’, a monumental work comprising two vertical twin structures and incorporating thousands of champagne bottles lit from their interior, stands on either side of the rectangular water parterres that stretch in front of the palace’s terrace. While respecting the architectural symmetry of Versailles, the structures introduce a verticality that contrasts with the immense horizontal lines of the landscape. Visible from inside the hall of mirrors, the two elements subvert the domestic scale of the referenced objects – candlestick holders or bottle racks –, while their shape and architectural dimension resemble the flamboyant verticality of the late gothic.

 

‘lilicoptère’ is a helicopter that has been decorated in the same vein as Versailles’s aesthetic universe, covered in gold leaf with thousands of rhinestone embedded on its exterior. The cockpit and blades seem to have been invaded by an extravagant and colorful coat of ostrich feathers that have been dyed in hues of salmon, pink and orange.

2 August 2012 at 5:57 pm Leave a comment


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