Posts tagged ‘Trend’

September in Paris + Maison et Objet=Priceless

Join an exclusive group of design aficionados in Paris August 31- September 8, 2010 for Maison et Objet.  The group to 12 PEOPLE ONLY, to keep the low-key, non-tour approach. Take advantage of a few extra days in Paris to get the most out of the shows as well as have enough time to really enjoy Paris. ! It’s a once in a lifetime chance to attend the ultimate design show!

Here’s What out January Group had to say about the Experience:

Susan and you have opened a window to the industry that I have only been peeking through. So Thanks again. Sue Sifakis

 It was a fantastic trip to Paris. The Hotel D’ Aubusson was beautiful.It was perfect to see Paris with other designers and such a nice group. The show was tremendous and a bit overwhelming. I came on this trip to find a new vision for my business and learned so much more.   Karyn Caldwell

I am still dreaming about it. It was the greatest…Thank you!     Octive Healey

This is very much a self guided tour. We’ll get you where you want to go; walk the aisles with you and share experiences over cocktails each night, but you make the decision when and where and what you want to do. No cattle calls on buses, mandatory dinners, just a fabulous time with a group of women that share the same passion- design. Hope you’ll join me. If you are interested, please download and fill out reg form and send back to us with your deposit asap. Seats fill on a first come; first serve basis.

Note: September Edition of Maison et Objet  has a furniture and outdoor living focus.

See what Maison et Objet is all about!

Tour highlights:

7 days/7 nights in Paris, August 31- September 8, 2010 includes:

*Airfare to/from JFK  Overnight flight arriving in Paris Wednesday, September1, 2010.

*Hotel d’ Aubusson, Four-star, double-occupancy in the heart of St. Germain (Super-convenient location and we’ve stayed in this hotel and love it!) Five minute walk to the subway, direct line to the show. Walking distance of the Louvre, Orsay, Notre Dame, Sorbonne; surrounded by art galleries, restaurants and shops.

*Daily Breakfast at the hotel.

*Airport transfers

*5 day all zone metro pass

*Admission to Maison&Objet and Le Club.

*Welcome reception at M&O from show management

*Exclusive M&O trend presentation with Q&A opportunity

*As-you-wish meet-ups for cocktails or dinner to review the day, compare notes, share stories, etc.

*Pre-travel web session(s) with Deb and Susan to preview locations, M&O planning, travel details, our Paris faves and more

*Cruise on the river Seine.

*Free entrance to the Louvre or Orsay.

 *Design destinations and insider access to showrooms and ateliers across Paris. Viaduc des Arts, Anne Gelbard Atelier to name a few.

 GO HERE for more details.    

QUESTIONS?   ASK ME

Tour does NOT include:

*Any meals except breakfast at the hotel as noted

*Any admissions or fees except for the M&O show and museums as noted

*Any additional transportation fees outside of those listed above (i.e., we’re not bussing you to/from the shows at a specific time, you get there when you want and leave when you want, courtesy of those all-zone transit passes)

*Optional activities, entries & transportation is on you.

*Travel and cancellation insurance

*Personal expenses

*Tips for guides, hotel staff, taxis, etc.

8 April 2010 at 11:35 am 1 comment

Design Focus: Caroline Musgrove

One of the new talents that Susan and I met at imm Cologne d3 Talents was Caroline Musgrove a successful British Knitwear Designer who is expanding into bespoke knitted and embroidered textiles for the home.

        Musgrove's Knitted Plexiglass screen

Her work is inspired by traditional designs and techniques which she teams with contemporary materials. She softens the hard edges of Perspex( Plexiglass) with delicate hand surface decoration.  Each hand knitted and embroidered piece is individual and unique from screens, panels, lights to curtains, cushions and scarves.

Knitted curtain inspired by damask patterns

Knitted curtain inspired by damask patterns

 We had a chance to chat with Caroline about her introductions, inspirations and what’s she’s working on next at her stand in Design Talents.

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12 March 2009 at 6:45 pm Leave a comment

Favorite Fabrics From IMM Cologne

IMM Cologne is not much of fabric show, but what I did find there was absolutely stunning. Création Baumann, the highly regarded Swiss textile company, introduced several amazing new products, utilizing innovative print techniques and the latest in fiber and fabric technology. Here are just a few of my favorites.

SuperHero Fabrics  Silver and Steel are two collections developed primarily for the contract sector, but I would love to use them in my own enormous windows. Silver features a thin aluminum backing in fabrics that range from opaque to sheer. Steel uses vacuum cathodic evaporation to adhere micro particles of steel to fabrics. The advantage of these new technologies is that the fabrics are washable and that the coating can be applied to a much larger range of fabrics and is less subject to the creasing of the metallic film.

Creation Baumann Silver & Steel fabrics

Creation Baumann Silver & Steel fabrics

Print Masters Providing an almost trompe l’oeil effect, Eplis features narrow ribbons of color transfer printed on a pleated fabric. It’s a fascinating combination of techniques that draws you in to explore it better. Another collection that merited a second look was a small group of digital prints on sheers that could be either cheesily retro or amazingly au courant depending on what section you looked at, as each of prints had detailed photorealistic sections intermixed with areas of blurring, overlay or other distortions.

Creation Baumann: Eplis & Garden

Creation Baumann: Eplis & Garden

 

Seductive Layers  Incredibly adaptable, the sophisticated Coco would look stunning in a loft environment or a traditional setting. The open star motif applies antique lace-making techniques in a thoroughly modern manner; a tulle flourish at the bottom is just another reason to love this fabric. Indiva is a two-layered sheer that shifts slightly during the printing process, resulting in a unique, slightly blurred effect that gives the look of fabric swaying in the breeze, even when it’s still.

Creation Baumann: Coco & Indiva

Creation Baumann: Coco & Indiva

 

Shrunken [Trail] Blazers  Using a special paint that affects the shrink rate of the fabric and produces a crisp, dry hand,  Création Baumann experimented with a tremendous range of looks. Violetta features layered blooms for a technical/traditional mix, a similar motif to that used on Coco; while Filippa also applies a burnout for additional dimensional and light layering effects.

Creation Baumann: Violetta & Filippa

Creation Baumann: Violetta & Filippa

 

Crushed  Fashion inspired and truly stunning in person, Saphir Crash is a sheer crush pleated offering while Yves is the opaque version, a blend of silk and metal.

Creation Baumann: Saphir Crash & Yves

Creation Baumann: Saphir Crash & Yves

3 March 2009 at 4:31 pm Leave a comment

David Rockwell’s Oscar Set

18oscarset1

Several months ago when I interviewed David Rockwell he had just found out he had been chosen by producers Laurence Mark and Bill Condon to design the sets for this year’s Oscar telecast.  He couldn’t reveal any details; so I had to tune in last night to see what he had done. I was not disappointed.  Rockwell is no novice to set design, the acclaimed designer has done sets for Hairspray, Dirty Rotten Scoundrels and Rocky Horror Picture Show. The first architect to design the sets, he took his inspiration from Busby Berkeley movies and Berkeley’s legendary kaleidoscopic patterns as well as the Piazza del Campidoglio (The curved floral pattern on the stage was a direct reference. ) Thanks to Linda from Surroundings for the correction!

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                        262px-footlight_parade_waterfall1

Wanting the event to be more party than formal gathering, Rockwell used state of the art technology to create tensions and energy between the audience and the performers. “We created a spatial and architectural solution for the 2009 Oscars that is based on storytelling, spectacle, and community,” explained David Rockwell.  “We wanted to use a surprising and dramatic integration of technology and movement to celebrate the awards ceremony, which has become one of the greatest shared rituals of our time.” There were five LED screens that transformed and reconfigured, as well as 20 other still LED screens. An elaborate bandstand was placed onstage with a full orchestra that had the capability to move up and down the stage, and then break apart and disappear throughout the night.

The piece de resistance was the new proscenium curtain Rockwell created  of approximately 100,000 Swarovski crystals in a variety of shapes and sizes, The crystal curtain stands  an awe inspiring 60 feet tall and 100 feet wide and weighing in at three tons and being comprised of over 6,000 one-meter hand crafted strands. swarovski-and-rockwell-take-center-stage-large

23 February 2009 at 11:35 pm 3 comments

IMM Cologne Design Talents

There may have been a slightly tentative mood to IMM Cologne during the first day, with exhibitors and attendees both testing each other’s commitment, but soon enough everyone settled into their roles and while it wasn’t quite business as usual, it was close. At the show’s end, most expressed the type of surprised satisfaction that things hadn’t been as bad as they’d expected.

That isn’t meant to be flip, because expectations have an incredible impact on the success of a show. In other year’s the slight drop in overall attendance, the decline in international visitors, past exhibitors who didn’t show and the more limited range of new product introductions might have all been cause for significant grumbling and an aura of discontent, but because no one is really sure what to expect in business these days, the relative normality of show business was greeted as success. New products were shown, orders were placed, deals were made…the design industry continues to do business. And IMM Cologne demonstrated that even in this uncertain era, shows remain a critical, vital, part of the design business.

So, that said, let’s get to the good stuff! Here’s a few favorites from the show. For more on what caught my attention at  IMM Cologne, check out my postings on Designer Pages, Surroundings and in the March issue of Vision magazine.

I have definite soft spot for young designers and the d3 design talents section of IMM Cologne typically offers a full buffet ideas and approaches—thoughtful, playful, analytical, experimental, etc.—sometimes all from one designer. 

Chae Young Kim 
Deftly combining natural and artificial, intuitive and scientific approaches, hand-drawn and digital renderings, Chae Young Kim developed a series of patterns until the theme Urban Camouflage. Using fractal structures and patterns to construct an almost unnaturally lovely take on nature, Kim uses computer graphics and repeats that deliver a truly hand-drawn feel. 

Urban Camouflage by Chae Young Kim

Urban Camouflage by Chae Young Kim

Kai Linke 
Ich war’s nicht (It wasn’t me) is a collection or purposely deformed stools, shapes that look as if they have been twisted and damaged through use or abuse, but were instead created that way. One of Linke’s earliest prototypes was made of a felt form that was then filled with concrete. The weight of the liquid concrete further distorted in shape and once the concrete hardened, the felt was stripped away and the final, randomized shape was left. In these examples the stool on the left in steel and bronze, the one on the left is concrete.   

Ich war's nicht by Kai Linke

Ich war's nicht by Kai Linke

D.E.C.A.F. 
A design collective, the D.E.C.A.F. name represents their concept of Design-Environment-Concept-Art-Furniture. The group created a lamp that brings “street art” into the home in a fun, functional, (relatively) clever manner. Designed to work for both interior and exterior applications, the Graffiti lamp, according to its creators, “sheds light on those who work in the dark.” I love the concept and the overall look, however I would have loved loved it had the graffiti said something other than “lamp”. 

DECAF Graffiti Lamp

DECAF Graffiti Lamp

Raphaël Charles 
The 20/30 rug appears to be made rocks or stones scattered on the ground. The name comes from a standard grade of coal and is actually composed of polyethylene foam leftovers that are typically not otherwise recycled. The main rug is made of springy nuggets attached to felt base and each is supplied with a scattering of loose “lumps” to use as the owner wishes. 

Raphaël Charles 20/30 rug

Raphaël Charles 20/30 rug

Ryohei Yoshiyuki 
There were a couple of pieces of convertible furniture that I found particularly appealing in the d3 section. This piece is called Your Level, a typical modern cabinet that can be transformed into eight separate shelving storage units, or combined in a variety of manners. Even the tallest unit stands securely against the wall on its own (assuming of course you have relatively level floors) without the need for additional support.   

Ryohei Yoshiyuki My Level

Ryohei Yoshiyuki My Level

Philippe Malouin 
This piece took second place in d3 innovation award. Called the Grace table, it is a remarkable innovation in engineering, although I have to admit, in looks it leaves something to be desired. Grace is an inflatable table, large enough to seat 10 adults and sturdy enough to support all the plates, cups, bottles and more that go with meal of that size. Malouin’s challenge, working with Eurocraft, a leading manufacturer of inflatable structures, was that stability, rigidity and flat surfaces are not the typical characteristics of inflatable furniture. And, when deflated, Grace, along with its legs and support structures all fits in a standard-sized duffle bag. 

Philippe Malouin Grace table

Philippe Malouin Grace table

Pepe Heykoop 
Recent Eindhoven graduate Pepe Heykoop took home first prize the d3 innovation awards with A Restless Chairacter, a chair based on a rickety old chair in his studio. Through re-engineering each joint in aluminum and rubber, Heykoop is able to control the overall flexibility of the chair, which means the user can wiggle, twist, squirm and sway without damaging the structure of this seemingly stiff, uncomfortable chair. The flexible frame is wrapped in an equally flexible skin of polyurethane rubber. 

Pepe Heykoop A Restless Chairacter

Pepe Heykoop A Restless Chairacter

19 February 2009 at 12:48 pm Leave a comment

Heimtextil 2009/2010 Trends

Although the overall theme of the trends presented at the January 09 edition of Heimtextil was Expect the Unexpected, none of the individual trends really broke any new ground. The trend hall did however present a comprehensive, well-grounded look at the near future and, as one would expect for a textile show, there was a strong emphasis on innovative fabric constructions, fibers, techniques and finishes.

Here’s a quick look at each of the six main trends along with a sampling of shots from the trend hall. For greater detail on the Heimtextil 09 trends, along with the trends and new product finds from Frankfurt, IMM Cologne, Paris Maison&Objet and other shows, I’ll showing hundreds of images during my presentation on Thursday, May 14, at the Vision show in Atlanta.

Illusionist
New technologies allow for featherweight padding, layering and folding that create mass and volume without the weight and bulk. This volume can come from layer upon layer of breezy mille-feuilles; soft yet structured folds; or sculptural padding.

Heimtextil 2009/2010 Trend

Illusionist: Heimtextil 2009/2010 Trend

Time Traveler
Open up a rare treasure chest where every second slipping by is cherished for the creation of a new cultural heritage. From medieval mystique, a rejuvenated Art Nouveau and Art Deco to centuries-old classics, the stage is set for ornamental opulence, laced luxuries and sensuous graphics.

Heimtextil 2009/2010 Trend

Time Traveller: Heimtextil 2009/2010 Trend

Fortune Teller
In a world where cultures collide and yesterday spills into tomorrow, inspiration comes from the vagabond, the bohemian and free spirits everywhere. Eco and ethnic folks break all the rules and create a rainbow of new ethics and traditions. Fame and fortune can be found in chaos and eccentricity.

Heimtextil 2009/2010 Trend

Fortune Teller: Heimtextil 2009/2010 Trend

Alchemist
Dissecting the structures of metals and minerals, alchemists recalculate the laws of nature. Catching the light from every angle, facet and curve, sharp shimmers and sheens add new dimensions to an intriguingly sculptured surreality.

 

Heimtextil 2009/2010 Trend

Alchemist: Heimtextil 2009/2010 Trend

 

Witchcraft
Bewitched and bewildered by the mythic creatures of the forest, artisans copy real and imaginary fur, feathers, floral and fauna. Vintage skins and technology that allows fabrics and finishes to mimic nature are key looks; while loose, floating yarns add to the modern rustic mood. 

 

Heimtextil 2009/2010 Trend

Witchcraft: Heimtextil 2009/2010 Trend

 

Enchanted
The artist’s sketchbook of pop fantasies has been torn up and stuck together again. A playmania of bold and brash color explosions, free-painting a wacky world with a sprinkle of anar-chic to smooth over the crazy edges.

 

Heimtextil 2009/2010 Trend

Enchanted: Heimtextil 2009/2010 Trend

Which is your favorite trend? Take our poll and find out where you’re favorite ranks!

13 February 2009 at 11:53 am Leave a comment

The Paradox of Choice

 In August Susan discussed Predictably Irrational: The Hidden Choice that Shapes our Decisions touching upon client’s indecisiveness because of too many options. Mark Hurst,a marketer, that I follow recently talked about the same subject with Barry Schwartz, the author of The Paradox of Choice , another  outstanding book on the subject. As can be the case, I am in a different business place today than in August and after rereading Mark’s blog; it all came together for me and I am on board.

Schwartz says, “Everyone agrees that having choice is better than not having choice. It seems evident that if choice is good, then more choice is better. The paradox is that this “obvious” truth isn’t true. It turns out that a point can be reached where, with more choice, people are worse off.”

People can’t ignore options. There’s more effort put into making decisions, and less in enjoying them. What’s nagging is the possibility that, if they had chosen differently, they could have gotten something better. Some social science research says that one consequence of leaving your options open is that people are less satisfied with their decisions; if a decision is non-reversible, you’ll make yourself feel better about the choice you made. If it’s a reversible choice, you don’t do that. He refers to it as accepting choices that are “good enough”.

Transfer that thought to your retail business. If you provide sales options in your retail store, SAH or website, you might think the way to attract people is to provide as many alternatives as possible. But that’s wrong. You’ll attract people, but they won’t buy as much as they would with fewer choices.

 Schwartz goes on to outline how we should do that:

“There’s no general answer except “restrict options” – though in what way depends on what you’re selling. For example, e-commerce sites and store or your SAH client presentation should be designed so that the complexity is hidden, so that people who really care, or know a lot, can find their way to the complexity, and the rest of us who can’t be bothered to find it, won’t have to.

He cites an example of home furnishing stores -stores that sell things that don’t go naturally together – like clothing and furniture. They’re selling a certain aesthetic. How does a small store sell furniture? It puts a couple of things on display, and then offers a million items in the catalog. You’re not overwhelmed when you walk in; instead, you are in an environment where that’s manageable. If you like a couch, and tell the salesperson you’re interested, and ask if it comes in different colors or fabrics, the salesperson can trot out the catalog and then you can see the infinite number of couches you can get. First you’ve been seduced into wanting a couch by what appears to be the simplicity of the decision. That’s the right way to design things in the modern world, where everything is too complex.

He goes on to discuss Amazon.com’s If you like this.. popup. I have to say that I find it annoying. I don’t find myself buying from those popups and if I do start surfing, I end up losing focus and leaving the site without buying what I intended. So maybe he has a point. Schwartz suggests somewhere in the range of six to twelve options is what most people would be comfortable with, most of the time.

The lesson here is to arbitrarily limit the number of options you’ll consider. My husband I just bought a new TV and it took us over 1 year to decide because of all the options, new models and upgrades coming on the market. I was about to throw in the towel. I should have promised myself that I would go to only two stores and then stop my research and make a decision.

That brings me to a retail trend I have been noticing lately- the limited edition, curated site or store. While this concept plays into several consumer behaviors right now it also is based on the paradox of choice. Gaby Basora, the genius behind coveted line Tucker, just launched e-commerce with a twist. Here’s how it works: Each month, there will be a limited-edition (100-150) classic blouse in a unique print that is available only on the site. That print will not be sold again, which means that if you score one, you will be the proud owner of a Tucker collector’s item, so to speak. Consider Gaby’s take. Cut back on the number of samples books you’re bringing into the house or consider a limited edition window fashion website,

For a “more is better” person like I am; I have resolved to start to editing my options in both my personal life and in working with my clients. If they came to me because I am the so –called expert: then here are the choices I recommend and I can back up. If she needs to see every fabric in every sample book, she’s not the client for me.

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14 December 2008 at 7:29 pm Leave a comment

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